In
1972, my mom read an ad in the newspaper looking for kids to be in movies,
television, photos etc. I was a precocious ten years old so she took me to a
talent agent located in the Sunset/Vine Tower in Hollywood. After discovering
that I liked cartoons and loved to draw, the talent agent said, “You should
know that the guy who draws Bugs Bunny is in this very building. You should go
up and meet him.”
Mom
and I went up to the twelfth floor and found the offices of Chuck Jones
Productions. We knocked on the
door and went inside but because it was after 4:30 there was no secretary at
the desk. The office was a plain
looking one with enormous windows and an incredible view of Hollywood. There
were framed pictures of the Loony Tunes characters on the wood paneled walls, a
pair of blue rectangular couches in the corner and one of those freaky wire
sculptures on the wall beside us.
After a few minutes, a tall gentleman with a little beard, wearing a
scarf and glasses came out of the back room. He said, “Hi there. We're closed.”
My
mom explained that we had seen the agent downstairs; that I was a fan of the
Bugs Bunny Show and how I just had to meet the man who drew Bugs Bunny. He smiled and held out his hand, “Oh.
In that case, I'm Chuck Jones. C'mon, I'll show you around.”
Mr.
Jones led me into the room that he had come from where there were 4 large
drawing tables and tons drawings pinned to the corkboard wall. There were
stacks of books on the shelves, piles of animation paper, gray sculptures of
various characters, a full ashtray and jars with pens and pencils. He pointed
out the various drawings on the wall explaining that they were called
‘storyboards’, ‘backgrounds’ and ‘layout drawings’. Then, he told me that they
were currently working on a feature called, “A Cricket in Times Square”. He
asked me if I’d ever heard of the story. I said ‘no’ but that I knew Time
Square was in New York. I noticed a picture of the Grinch on the wall and
proudly told Mr. Jones that I'd seen that
show on TV. We went into a smaller room that contained the animation camera. He
showed me how the lights worked and how the camera could be automatically
adjusted to zoom in and out. After touring me around the office, he said,
“Well, what do you think?” I turned to him and asked, “Where are the machines
that do the animation?” He laughed and laughed then held up his hands. “These are the machines that do the
animation!”
Chuck
asked me who my favorite character was and I said, Pepe Le Pew. He sat down, picked up a black pencil
and quickly sketched out a full standing figure of PePe Le Pew holding a rose.
He inscribed it, “To Oscar, Mon Ami from Pepe Le Pew + Chuck Jones, 1972”. He
handed me a baggie containing a plastic Dakin figurine of Bugs Bunny, thanked my mother and I for visiting then showed us out. One of my favorite and most cherished
childhood experiences!
Photos of the Chuck Jones Studio courtesy of Alan Light
